Wisconsin: Chazen Museum of Art, MadisonWhether it’s paintings, sculptures, photography, drawings or print works that float your boat, the Chazen Museum of Art located in the University of Wisconsin–Madison will not disappoint. Having just reopened, permanent and rotating exhibits showcase American and European artworks and you can take a guided tour for the lowdown on the history of some 20,000 works of art across all genres.
Over the past semester, University of Wisconsin-Madison dance professor Chris Walker worked with freshmen and alumni of First Wave — a scholarship program for hip hop and urban arts — to bring Danez Smith’s poem “summer, somewhere” to life, fusing dance, theater and music.
Her MFA in sculpture came from the University of Wisconsin in Madison.
Piece by Gregg Mitman.
The New Yorker relies on an algorithm from Robert Nowak, an engineering professor at the University of Wisconsin-Madison.
Nowak said on WPR’s “The Morning Show” that the algorithm collects the ratings and over time pushes more successful captions to the top of a sorted list. It’s similar to how a search engine such as Google tracks how many times a website is chosen after a given search.’
So roughly speaking, the funnier the caption, the more ratings it receives, providing a more statistically accurate estimate of just how funny it is,” he said.
The Journal Sentinel and USA TODAY NETWORK-Wisconsin will livestream several democracy-focused programs this spring from the University of Wisconsin-Madison LaFollette School of Public Affairs.
The first, today at 5 p.m., features Harvard University Professor of Government Daniel Carpenter, who will discuss his book “Democracy by Petition,” which traces the explosion and expansion of petitioning across the North American continent.
If you’re jaded by GPS, if you think maps are mere representations of reality, The Cartographers would like a word with you.
These savants, who mastered the arts of scale and legend at the University of Wisconsin in Madison, know that maps can be portals, too.
In our new feature, “Digest,” Isthmus interviews unsung or behind-the-scenes members of the service industry and lets them speak for themselves.
Sasha Debevec-McKenney, 31, is a poet, an instructor at UW-Madison, and the current artist-in-residence at StartingBlock. She’s also a part-time server. She has worked at restaurants in New York City and Madison, including Willalby’s Cafe, Settle Down Tavern and Diner in WIlliamsburg, Brooklyn. Currently she works a couple lunch shifts a week at Morris Ramen.
“It’s been three years since our last conference” because of the COVID-19 pandemic, “so everyone is super-excited,” said Emily Arthur, an associate professor of art at UW-Madison and a member of the conference steering committee. The 2022 event also marks SGCI’s 50th anniversary as an organization.
Wisconsin Watch has been named a finalist in 12 categories in the Milwaukee Press Club’s 2021 Excellence in Journalism contest.
Whether the entries won gold, silver or bronze will be announced in May. Three of the awards are shared with news partners and one award is shared with students from the University of Wisconsin-Madison.
Noted: The University of Wisconsin System and the Wisconsin Idea: The Wisconsin Regional Art Program hired painter John Steuart Curry in 1936 as the first artist-in-residence at a U.S. university. Curry, and later Aaron Bohrod, worked with groups around the state to encourage to encourage small-town and rural artists. The program valued art created not only by professors and artists, but also by regular people, Sawkins said.
Signs are static.
They can, of course, convey concise and relevant historical information. But they are limited to one point in time, said Kasey Keeler, an assistant professor of civil society and community studies and American Indian studies at the University of Wisconsin-Madison.
That’s why Keeler is leading a project, “Mapping Dejope: Indigenous Histories and Presence in Madison,” which will make Indigenous history of the area digitally accessible.
The Black Voice news publication was first created in 1971 with the mission to provide a safe space for Black and African diasporic students attending UW-Madison. “We The Vision,” which will be presented at Marquee Cinema in Union South on Tuesday, March 1, 6 p.m., is the tale of The Black Voice’s origins, influence and legacy told by many of the voices who have shaped its success. The documentary commemorates the 50th anniversary of the founding of The Black Voice, during the 2020-21 school year.
Downtown Madison is not new to the debate over historic monuments. But thanks to the Madison Museum of Contemporary Art and a UW-Madison art professor, State Street’s iconography is now home to a new kind of monument. The museum unveiled its newest installation Tuesday evening, “Blu³eprint,” a 12,000-pound limestone sculpture designed by Faisal Abdu’Allah. For Abdu’Allah, it is a deeply personal piece that aims to reimagine the role of identity in public art.
Where did Carrie Coon go to school?Coon went to college at the University of Mount Union in her home state of Ohio, where she played soccer and ran track and field. She also got a full-tuition scholarship to attend grad school at the University of Wisconsin-Madison, where she earned a Master of Fine Arts in acting in 2006.
After service in the Navy, he earned an economics degree at the University of Wisconsin-Madison in 1948 and an MBA degree from Columbia University two years later. While working as a securities analyst at Sutro Brothers in New York, Mr. Chazen got a call from a Wisconsin classmate whose family owned an apparel maker. He was soon launched as a traveling garment salesman, driving to small-town shops in Indiana and Illinois, the start of a thorough education in the rag trade.
2018 FSF Scholar and Otis College of Art and Design in Los Angeles graduate Carrillo and 2021 FSF Virgil Abloh™️ Post-Modern Scholar and University of Wisconsin, Madison student Abrams won the opportunity to develop and manufacture the co-branded collections to be taken to market.
Author, UW-Madison professor and world traveler Amy Quan Barry says she strives to have depth and range to her writing. Her releases this month of both a novel and play certainly seem to validate that goal. “When I’m Gone, Look for Me in the East,” is Barry’s third novel due out Feb. 22. A few days later, her first play, “The Mytilenean Debate,” begins its run at Forward Theatre. She will discuss both works during an upcoming in-person event through the Wisconsin Book Festival.
For nearly a year, Henry Obeng, a graduate student at the University of Wisconsin-Madison, has created artwork using artificial intelligence alongside computer science student Sheriff Issaka.
Among the audience members awaiting the world premiere of Bill Banfield’s Symphony No. 8 Friday night will be 23-year-old Rigoletto Lopez, the recent UW-Madison graduate who was asked to put visuals to Banfield’s music.
When Faisal Abdu’Allah first strolled through a pathway of stone slabs at Quarra Stone, the Madison company that would help create a sculpture of him, he felt like the materials had souls … A year-and-a-half later, the material has been crafted into a 7-foot statue of the University of Wisconsin-Madison art professor for his upcoming DARK MATTER exhibition at the Madison Museum of Contemporary Art, which opens Sept. 17. Titled “Blu³eprint,” the art will be installed this fall in front of MMoCA, on the corner of Henry and State streets, pending permits from the city.
DAVIES: Is it true that she (Hansberry) single-handedly integrated a dormitory at the University of Wisconsin?
PERRY: Absolutely, she did. And, you know, she – it was also – it was unusual for her to go to Wisconsin, right?
The glaring disconnect between her family’s civil rights activism and their fortune, made by exploiting other Black people, likely played a role in Lorraine’s move towards Marxist politics, but Shields doesn’t explore it. By contrast, his depiction of her intellectual development is substantive, from her teenage readings in Harlem Renaissance literature through her discovery at the University of Wisconsin of theater, in particular Sean O’Casey’s Irish folk dramas. He also revisits a summer workshop in Mexico that cemented her commitment to social realism in art and her tenure as a journalist at the radical monthly Freedom after she dropped out of college.
Born September 30, 1980, in Rockford, Illinois to Ghanaian immigrant parents, Abhloh’s educational background deviated from the traditional route of a high fashion designer, which typically involves design school. He attended undergrad at the University of Wisconsin-Madison and completed a degree in civil engineering. He then went on to receive his master’s degree in architecture at the Illinois Institute of Technology — according to Vogue, a Rem Koolhaas building was installed on campus during his time at IIT, which “piqued” Abloh’s interest in fashion. And, Abloh’s mom was a seamstress, who trained him as a young man. A student of practical fields, he applied those skills to fashion, instilling himself as a multidisciplinary, multi-hyphenate creative.
Ellen Samuels has spent a lot of hours in loud, cramped MRI machines.
She said medical personnel would give her these “little headphones” to play music, but the sound of banging metal coils and vibrating electrical pulses all but muted that music.
So to pass the time, she would craft poems in her head. Without the ability to jot them down, she imagined haiku because the five-seven-five-syllable format was easier to remember.
Embedded within a four-decade-long endeavor to document the history of cartography is a deceptively simple question: What is a map?
In a world where most people interact with maps almost daily, pulling them up on their smartphone to effortlessly chart a path through the lattice of streets that lie between Point A and Point B, the map, at first glance, is a tool.
But ask a generations-spanning team of researchers at the University of Wisconsin-Madison what a map is, and they’ll give you a more complex answer. Maps are more than a flattened rendering of the land around us, said Matthew Edney, a senior scientist at UW and a professor of geography at the University of Southern Maine.
“They’re cultural documents,” he said. “They’re social instruments.”
We Are Here: Local Mapmakers Explore the World That Connects Us is an exhibit that was developed by the UW Madison Cartography Lab and currently showing at the Overture Center until January 16th. The exhibit features work from both current students and alumni from their current places of employment and aims to let people know that Madison is a hub and important place of cartography training.
“When I studied engineering at the University of Wisconsin in Madison, it was the humanities classes that I had put to the side that ultimately started me on this path of thinking about creativity in a much more cultural context — not designing for design’s sake, but connecting design to the rhythm of what’s happening in the world.”— Virgil Abloh, designer, born 1980 (Read the obituary.
Noted: “Ghostbusters: Afterlife”: In this franchise reboot, Carrie Coon plays the daughter of OG (original Ghostbuster) Egon. After he dies, Coon, who got her start at the University of Wisconsin-Madison and in Madison-area theater, brings her kids to his rural Oklahoma house and discovers the ghosts are coming back.
“Enemies of the State”: Oscar-winning documentarian and University of Wisconsin-Madison alum Errol Morris is executive producer of this true tale of a family that caught up in intrigue when their hacker son is targeted by the federal government.
Noted: Another striking example is the singing shawls made by the Karen people of Myanmar and northern Thailand, says Jennifer Angus, who teaches textile design at the University of Wisconsin–Madison. These woven garments, so named because they’re worn at funeral ceremonies where mourners sing around the clock for several days, sometimes have a fringe made from the shiny, iridescent elytra, or hard outer wings, of jewel beetles. Angus, who grew up in Canada, had never seen anything like it. “I really had trouble believing that it was real,” she says.
The discovery inspired Angus to start incorporating insects into her own work. Her first installation was at a storefront gallery in Toronto, where she arranged hundreds of weevils into a wallpaper-like pattern on the walls. When people walked up to take a closer look, Angus says, “literally, I saw them take a step back as they realized the wallpaper was composed of insects.” The piece created tension, she says, between what people expect when they see a pattern they associate with domestic spaces and the realization that the pattern is composed of bugs, which most people don’t like to find in their homes.
Books designed for children may be perpetuating gender stereotypes, a new study warns.
More than 240 books written for children five years old and younger were analysed by a team from Carnegie Mellon University and the University of Wisconsin-Madison.
They found that books with a male main character were more often about professions, whereas those with a female protagonist were about affection.
Noted: A recent count by Cooperative Children’s Book Center School of Education at the University of Wisconsin–Madison found that “books about white children, talking bears, trucks, monsters, potatoes, etc. represent nearly three-quarters of children’s and young adult books published in 2019.” In other words, vegetables, animals, monsters, and aliens had more visibility in books than brown or black characters.
Noted: “Just Be Claus” is Joosse’s 55th book published for kids. Originally from Grafton, she started telling stories in grade school and later studied creative writing at the University of Wisconsin-Madison. After having her own children, she was inspired by them to write children’s books.
The Center for East Asian Studies (CEAS) at the University of Wisconsin-Madison is pleased to announce the winners of the “East Asia in Wisconsin Library Program” competition. Grants have been awarded to public libraries throughout Wisconsin, enriching their collections with new titles that will enable patrons to deepen their understanding of East Asia (which includes China, Japan, and Korea). Over $24,000 in funding will be distributed to 29 libraries, representing 12 of the state’s 14 library systems.
Quoted: Garcia earned her bachelor’s degree in English Literature at the University of Wisconsin-Madison. She recalls taking American English classes and only learning about white male authors.
She remembers thinking: “America is more than these old dead white dudes.” She decided to minor in Chicano/Latina studies and American Indian studies, where she saw herself reflected in the stories she learned about.
“It brought me back to that feeling of empowerment, of feeling seen,” she said. “This was something that was me.”
In 2018, a new street in the Darbo-Worthington Neighborhood on Madison’s east side was created in honor of the legacy of Richard Davis, a Madison jazz legend and Professor Emeritus of Bass at the University of Wisconsin-Madison, where he taught for nearly four decades. Now, after a fundraising effort throughout the pandemic, Davis’ former student and mentee, Wilder Deitz, has honored the man who inspired him and so many others with a commemorative plaque to accompany the street sign on Richard Davis Lane.
Quoted: What do you know about the Native peoples who have called Wisconsin lands their home for thousands of years?
November is Native American Heritage Month and is a good opportunity to learn about the history, culture and sovereignty of the 11 federally recognized tribes in Wisconsin and the Brothertown Indian Nation, which hopes to regain its federal status.
Most people know little to nothing about Native Americans, said Aaron Bird Bear, director of tribal relations at the University of Wisconsin-Madison.
“Keeping ourselves ignorant about Indigenous nations, about our shared history and our treaty-based relationships with Indigenous nations is a form of collective amnesia,” Bird Bear said.
“One thing we would hope is that people really think deeply during Native American Heritage Month of how they can interrupt or arrest settler colonialism itself, which is a process by which the vast majority of U.S. society knows little to nothing about the people who’ve lived here for 20,000 years and counting.”
Pitches and Notes and Fundamentally Sound, two student a cappella groups, will take the stage for a combined show at Shannon Hall at Memorial Union Friday.
After more than 40 years of extensive research, UW-Madison’s History of Cartography Project is nearly complete. We talk with the director of the plan about the contents of the six-volume set, what he hopes people gain from the project, and his love for maps.
Firms build worlds. On this, historians and businesspeople agree. Corporations have always been among the greatest forces shaping American life. And the many corporations that hold private archives documenting their past activities have unique powers to disclose—or hide—their contributions to racial injustice in America. That’s why, if they truly want to advance the cause of social justice, companies should throw open their archives for researchers to use.
-Gregg Mitman
The Wisconsin Black Student Union (WBSU), the Division of Diversity, Equity, & Educational Achievement (DDEEA), and the Black Cultural Center (BCC) will host “The Stories We Tell: Sharing Black Activism Experiences at UW-Madison” this afternoon, a panel discussion with UW-Madison alumni and current students about their activism during their time as students at the UW.
Deryk Gonzalez and your friendly neighborhood Deryk G. are one in the same. By day, you might experience Deryk, the soft spoken, well intentioned University of Wisconsin engineering student, who wishes to make his family proud and enjoys his time with friends. But after a quick costume change, the vivacious funk-lionheart known as Deryk G. comes to. It’s a persona that never requires a mask, with an aptitude for animated, romantic story-telling that allows him to live his truth.
Noted: The program, which costs $15 for adults and $10 for ages 2 to 12 (museum admission is included), will also offer a scavenger hunt through the exhibition “Jennifer Angus: Magicicada.” Angus, an artist (and design professor in the School of Human Ecology), has devised decorative scenes and Victorian-like dioramas involving hundreds of preserved insects. Enhanced by historical taxidermy specimens, the show promises some haunting pleasure.
James Gavins’ afrofuturistic, sci-fi thriller-based film “Cicada” explores a parallel universe in which a psychotherapy simulator will ease the trauma from Black history in America. It debuts this afternoon at 4 p.m. with a film screening followed by a panel discussion at the UW Union South Marquee Theater.
It’s the most wonderful time of the year, time for the Wisconsin Book Festival, 28 events this week alone, both in-person and online, and Stu Levitan welcomes one of the featured presenters, and one of the brightest stars in the firmament that is the University of Wisconsin faculty, Professor Jordan Ellenberg, to discuss his NYTimes best-seller, Shape: The Hidden Geometry of Information, Biology, Strategy, Democracy, and Everything Else.
For today’s show, Monday host Patty Peltekos speaks with Jo Handelsman about her new book, A World Without Soil: The Past, Present, and Precarious Future of the Earth Beneath Our Feet.
The Wisconsin Book Festival and the Wisconsin Science Festival are co-presenting a book event with Jo Handelsman this Thursday, October 21 at 6 p.m. in the Discovery Building at the University of Wisconsin–Madison. More information available at the Wisconsin Book Festival website.
Jo Handelsman is the director of the Wisconsin Institute for Discovery at the University of Wisconsin–Madison, a Vilas Research Professor, and Howard Hughes Medical Institute Professor. She previously served as a science advisor to President Barack Obama as the Associate Director for Science at the White House Office of Science and Technology Policy (OSTP) from 2014 to 2017. She is the author of A World Without Soil: The Past, Present, and Precarious Future of the Earth Beneath Our Feet (Yale University Press, 2021).
Performer, educator and author Erica Halverson has a lot to say about how the arts can be used in schools to transform education in a meaningful way in her book “How The Arts Can Save Education.” Halverson, who also is a professor of curriculum and instruction at UW-Madison, will discuss her book during an in-person event at the Wisconsin Book Festival later this month.
With significant financial support from Marv and Jeff Levy, two brothers and alumni at the University of Wisconsin-Madison, the George L. Mosse Humanities building will soon be called Irving and Dorothy Levy Hall.
UW-Madison announced on Wednesday a $20 million donation for a new academic building that will help clear the way for the demolition of the Humanities Building.
For today’s show, Ali celebrates the 15th annual Passing the Mic Intergenerational Hip Hop Festival with First Wave creative director James Gavins and student poets Azura Tyabji and Zack Lesmeister, who read samples of their poetry on air and share what it’s like being an “artivist” in Madison.
Wolk and his book would have been better served if he’d assembled a different kind of avengers, the pioneering scholars who are already doing precisely this type of research: Anna F. Peppard, Brian Johnson, Adilifu Nama, Ramzi Fawaz, Frederick Luis Aldama and Julian Chambliss.
The New York Times dropped jaws with a tea-spilling article detailing an ongoing six-year dispute between a white writer who donated a kidney and a writer of color who wrote a short story inspired by the donation. Dawn Dorland and Sonya Larson now find themselves deep into contentious litigation with no end in sight.
Larson’s path toward writing was more conventional than Dorland’s. She started earlier, after her first creative-writing class at the University of Wisconsin-Madison.
“The First Degree” next screens Oct. 24 at the University of Wisconsin-Madison Cinematheque, with live piano accompaniment by David Drazin. The film is scheduled to air on Turner Classic Movies, with the Chicago Film Archives-commissioned score written and performed by Quasar Wut-Wut, sometime before mid-2022.
The group is preparing for a 7:30 p.m. performance Thursday in Shannon Hall at Memorial Union. It’s the first stop on Sphinx Virtuosi’s national fall tour, and also the first classical music concert with an in-person audience held in the UW-Madison theater since the pandemic halted operations in March 2020. The concert also will be streamed online.
Luthra is the fall 2021 interdisciplinary artist-in-residence at the University of Wisconsin-Madison’s Division of the Arts. The program brings visiting artists to campus for a semester, where they teach a class intended for students of different disciplines, artists and not, as well as programming a series of live performances and lectures that the general public can enjoy.
Legendary actor, UW alum Andre De Shields to spearhead BIPOC arts initiative.
Because of the COVID-19 pandemic, when the University of Wisconsin Marching Band took the field before Wisconsin’s season opener against Penn State Sept. 4, it marked the band’s first performance at a home football game in nearly two years.
It also was the first time drum major Joshua Richlen of Greendale got to do his thing at Camp Randall Stadium.
’While it’s really a bummer not to show with my classmates, it really did open up opportunities and push us to go the extra mile to make the best of what we have.’ UW BFA grad said
