Ainehi Edoro, associate professor of English at the University of Wisconsin-Madison and founder of the literary blog Brittle Paper, says the novel marked a turning point. “For a long time, queer characters in African literature were either invisible or treated as symbols of crisis, like their presence was a sign that something had gone wrong,” she says. “So when Dibia wrote a novel that centred a gay Nigerian man as a full human being, that mattered. He pushed back against an entire archive of erasure.”
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