Noted: On the contrary, two new companion pieces from Estanich titled “The Biggest Wail from the Bottom of my Heart” and “What Love Looks Like” enter uncharted territory for this decade-old company. Estanich — who splits his time between Chicago and Stevens Point, Wisc., where he is a professor of dance at the University of Wisconsin — approached this new work with a political bent, which, to my knowledge, he and this company have not done before. So, some of those oft-seen tendencies listed above anchor the evening, bringing some familiarity to the forefront and softening overt references to racial tension in America and, yes, even Donald Trump’s wall.
Office of Strategic Communication